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Download Riders in the Chariot (Penguin Classics) ePub

by Patrick White

Download Riders in the Chariot (Penguin Classics) ePub
  • ISBN 0140186344
  • ISBN13 978-0140186345
  • Language English
  • Author Patrick White
  • Publisher Penguin Classics (July 1, 1993)
  • Pages 496
  • Formats mobi lrf txt azw
  • Category Fiction
  • Subcategory Contemporary
  • Size ePub 1103 kb
  • Size Fb2 1736 kb
  • Rating: 4.3
  • Votes: 493

Four socially and ethnically different people, living in and near Sydney, Australia, seek after visions of the good and contend with the everyday forces of evil that surround them

Riders In The Chariot. Imprint: Vintage Classics. Riders In The Chariot.

Riders In The Chariot. Published: 05/09/1996. It must be read because, like Everest, 'it is there'.

Riders in the Chariot is the most compassionate and the most beautiful of all Patrick White’s works; colours fly everywhere; his words, comic, ecstatic, are like the brushstrokes on a canvas by Nolan or Blake.

Only 2 left in stock (more on the way). Riders in the Chariot is the most compassionate and the most beautiful of all Patrick White’s works; colours fly everywhere; his words, comic, ecstatic, are like the brushstrokes on a canvas by Nolan or Blake. Carmen Callil and Colm Tóibín, The Modern Library: The 200 Best Novels in English Since 1950.

Only 7 left in stock (more on the way). Patrick White is one of the great novelists of the twentieth century, on a par with his fellow Nobel Laureates William Faulkner, Halldór Laxness and Thomas Mann; and yet, one hundred years after his birth, his name seems temporarily and inexplicably lost in the immense desert spaces to which he introduced a new generation of readers, buried like one of those legions of.

Patrick White's brilliant 1961 novel, set in an Australian suburb, intertwines four . Riders in the chariot Penguin modern classics.

Patrick White's brilliant 1961 novel, set in an Australian suburb, intertwines four deeply different lives. When the supposedly mentally retarded guy in this book starts to paint, the book suddenly becomes one of the best books I have EVER read (out of the circa 1,800 or so I've read so far).

Riders In The Chariot (Vintage Classics). Published June 30th 2011 by Vintage Digital. Riders in the Chariot (Paperback). Published 1964 by Penguin Books Ltd. Australian Penguin Book AU11, Paperback, 492 pages. Author(s): Patrick White.

Reading of Patrick White's "Riders in the Chariot".

Title: Riders in the Chariot (Modern Classics) Item Condition: used item in a very good condition. Author: Patrick White ISBN 10: 014002185X

Title: Riders in the Chariot (Modern Classics) Item Condition: used item in a very good condition. Author: Patrick White ISBN 10: 014002185X. Used-Very Good: The book will be clean without any major stains or markings, the spine will be in excellent shape with only minor creasing, no pages will be missing and the cover is likely to be very clean. Read full description. See details and exclusions. Riders in the Chariot by Patrick White (Paperback, 1964). Pre-owned: lowest price.

Riders in the Chariot is the sixth published novel by Australian Author Patrick White, Nobel Prize winner of 1973. It was published in 1961 and won the Miles Franklin Award in that year. It also won the 1965 Gold Medal of the Australian Literature Society

Riders In The Chariot – E-book de Patrick White

Riders In The Chariot – E-book de Patrick White. Lisez ce livre via l'application Google Play Livres sur votre PC et vos appareils Android ou iOS. Téléchargez Riders In The Chariot pour le lire hors connexion, mettre des passages en surbrillance, ajouter un marque-page ou prendre des notes en cours de lecture.

Additional Book Information . Series: NYRB Classics ISBN: 9781590170021 Pages: 656 Publication Date: April 30, 2002. by Patrick White, introduction by David Malouf. Fiction Literature in English. Patrick White’s brilliant 1961 novel, set in an Australian suburb, intertwines four deeply different lives. Riders in the Chariot is the most compassionate and the most beautiful of all Patrick White's works; colours fly everywhere; his words, comic, ecstatic, are like the brushstrokes on a canvas by Nolan or Blake.

Talk about Riders in the Chariot (Penguin Classics)

This is not a particularly cheery book. It deals with the lives of outcasts and what we today would, callously, call freaks. The book, while it does go into meticulous detail of the biographical material of the main characters' respective lives, is not primarily concerned with these elements. The book is centred around the visionary, otherworldly qualities of each, particularly a shared vision each of the four main characters has of a chariot mentioned in the book of Ezekiel.-This quality separates them from the world and people around them, which are clearly meant to be disparaged.-As Miss Hare cogitates in regard to the danger one of these normal people, Mrs Jolley: "But she did sense some danger to the incorporeal, the more significant part of her."-That significant part in all the four characters is the essential matter of the book.

Other people in the book are given to insubstantial matters, cruelty, and obliviousness, frequently rendered comically by White:

The other ladies glanced at her skin, which was white and almost unprotected, whereas they themselves had shaded their faces, with orange, with mauve, even with green, not so much to impress one another, as to give them the courage to confront themselves (p.323)

All very well. But it is this Manichean dualism between the saintly four characters and, well, everybody else which leads me to refrain from giving it five stars. Anyone who has encountered the world in its chaos of identities, acts of kindness, visionary aspects, thuggish and sadistic aspects knows that we all carry in us both the visionary, sensitive private individualism of the main characters, on the one hand, and the thuggish herd instinct of----everyone else in this book.

Still, it's well worth the read. White is a remarkable writer, and the work, despite my misgivings, is one every thoughtful person should not merely have on his or her bookshelf, but have read, from beginning to end. Its insights into prelinguistics subconscious perception are not to be surpassed---anywhere.
What makes a great novel? Many things, but among them I would certainly list Scale, Characters, and Moral Vision. All three of these qualities are to be found in this towering novel by Patrick White. It is the first book by the Nobel laureate that I have encountered; it will certainly not be the last.

This is a long book (640 pages), but a very easy one to read. In any case, when speaking of scale, physical length is less important than breadth of implication. White concentrates on a small group of people living on the outskirts of Sydney after WW2, but makes them seem emblematic of the entire continent. There is also a wide range of origin and social class; the characters include the last survivor of a once-rich aristocratic family, a German Jewish professor fleeing the Holocaust, a poor washerwoman who emigrated from England as a child, and a half-aboriginal painter. Since each character is given almost 100 pages of back-story, the novel is by no means confined in place or period either; the section set in Germany between the wars can hold its own with the best Holocaust writing anywhere, with particular insights into Jewish social, intellectual, and spiritual life. But the most important aspect of the book's scale is the feeling held by each of the four major characters that the universe is an immensely greater place than anything they may see around them.

White has the great gift of loving his characters. Each of the four is something of an outcast. Miss Hare, the faded aristocrat, is clearly mad; Himmelfarb, the professor, now chooses to work in a menial job, without possessions or other signs of status; Mrs. Godbold, the washerwoman, lives with her many daughters in a tumble-down shack; Alf Dubbo, the half-caste painter, works by day as a janitor and is given to fits of drunkenness. And yet White writes so convincingly through the eyes of each that we do more than feel sympathy for them; we begin to see the others around them as impoverished of spirit, living only partial lives. White is brilliant in creating a gallery of semi-comic secondary characters -- some bad, some well-meaning, some merely lacking in imagination -- to set off the qualities of his principal quartet, but even these have dimension and are far from caricatures.

One of the curious aspects of the book is that the four characters hardly ever meet, although they recognize an immediate kinship when they do. For all four are religious visionaries. Their visions may occur only once or twice in their lives, but the image is the same for each: the approach of Ezekiel's fiery chariot, both wonderful and terrible. I can think of few books that are so successful at portraying the mystical dimension while being so firmly rooted in the mundane. This is clearly a religious book, but not at all a sectarian one. It is White's strength that he endows his visionaries with everyday failings, and gives each a very different religious background. Miss Hare's religion, if she has one, is a pantheism rooted in the plants and animals on her moldering estate. Himmelfarb has returned to Judaism only after years of secular life, and considers himself morally unworthy. Mrs. Godbold is a staunch evangelical, but her religion shows more in her practical kindnesses to others than in any doctrinal fundamentalism. And Alf Dubbo, though raised by a preacher and especially inspired by religious subjects, is dissolute and virtually autistic in his day to day life.

A fourth quality that I might have mentioned is Style. White's writing, as I say, is easy to read, but very varied and always appropriate to the tone of the moment. While he can neatly skewer the social pretensions of the Rosetrees (the employers of Himmelfarb and Alf), he can also shift to the kind of description that portrays everyday things as symbolic of eternal conflicts or reflections of the infinite. His descriptions of Alf Dubbo's paintings, for example, are equaled by no author I can think of except perhaps Chaim Potok in MY NAME IS ASHER LEV, in their ability to convey a truly incandescent artistic vision. Such mastery of style is essential because, as loners, his characters cannot interact much together in terms of everyday plot, and in narrative terms the concluding section of the book is less compelling than the long set-up. But where the characters do meet is in their common vision, their unspoken sense of rightness, and it is precisely in White's evocative language that this sounds, resonates, and resounds.
Stunning, magnificent, and surging with the beauty of life!
one life
"Truth was something one generally avoided, out of respect for good taste, and to preserve peace of mind" - this is the conviction of a Mrs Hare, mother of Mary Hare, one of the main characters in the novel. On almost every page of the book you can read such bon mots, which, as if incidentally, comment the situation described, bring out the weaknesss or strength of the characters in the book, throw unexpected light on our sensible views. What a mastery of language and thought, what wit, what vividness of depiction! An absolute must-read. Love it!
Definitely recommended reading
One of the very best books I've read. There are angels amongst us. And irony and the unexpected, unanticipated, most surprising is what usually occurs. But this is where redemption is most often found.
I think this may be my favorite book of all time. It is so beautifully written, so haunting, so expertly crafted, it's no wonder Patrick White won the Nobel Prize for Literature. Forget the other palaver out there and read this tale that so deftly combines the ordinary with the extraordinary. White uses language with brio and subtlety to describe quotidian details and heart wrenching events. His finely drawn characters brim with humanity. A remarkable, moving, mystical, epic book.