Migrating Music considers the issues around music and cosmopolitanism in new ways. Whilst much of the existing literature on ‘world music’ questions the apparently world-disclosing nature of this genre – but says relatively little about migration and mobility – diaspora studies have much to say about the latter, yet little about the significance of music.
In this context, this book affirms the centrality of music as a mode of translation and cosmopolitan mediation, whilst also pointing out the complexity of the processes at stake within it. Migrating music, it argues, represents perhaps the most salient mode of performance of otherness to mutual others, and as such its significance in socio-cultural change rivals – and even exceeds – literature, film, and other language and image-based cultural forms.
This book will serve as a valuable reference tool for undergraduate and postgraduate students with research interests in cultural studies, sociology of culture, music, globalization, migration, and human geography.
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These processes are central to the construction of a cosmopolitan world which is nevertheless riven with persisting difference. Do you want to read the rest of this article?
1 Byron Dueck is University Fellow in Music at the Open University. His work focuses on the role of musical and embodied experience in constituting public cultures.
Byron Dueck is University Fellow in Music at the Open University.
31 Mar 2011 Kindle eBook. by Jason Toynbee and Byron Dueck. Book Depository Books With Free Delivery Worldwide. Home Services Handpicked Professionals Happiness Guarantee. IMDb Movies, TV & Celebrities.
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1 See, for example, Denora, Tia, Music in Everyday Life (Cambridge: Cambridge University Press, 1992)
1 See, for example, Denora, Tia, Music in Everyday Life (Cambridge: Cambridge University Press, 1992). 2 See Appadurai, Arjun, ‘Disjuncture and Difference in the Global Cultural Economy’, Public Culture 2/2 (1990), 1–23; Taussig, Michael, Mimesis and Alterity: a Particular History of the Senses (New York: Routledge, 1993).
in Journal of World Popular Music. Journal of World Popular Music, Volume 2, pp 114-118; doi:10.
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