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Download The Censorship of British Drama 1900-1968 Volume 3: Volume Three, The Fifties (Exeter Performance Studies) ePub

by Steve Nicholson

Download The Censorship of British Drama 1900-1968 Volume 3: Volume Three, The Fifties (Exeter Performance Studies) ePub
  • ISBN 0859897508
  • ISBN13 978-0859897501
  • Language English
  • Author Steve Nicholson
  • Publisher University of Exeter Press; 2 edition (December 15, 2011)
  • Pages 272
  • Formats azw lrf txt mbr
  • Category Photography
  • Subcategory Performing Arts
  • Size ePub 1884 kb
  • Size Fb2 1777 kb
  • Rating: 4.1
  • Votes: 851

This volume is the third part of Steve Nicholson’s four-volume analysis of British theater censorship from 1900 until 1968, based on previously undocumented materials from the Lord Chamberlain’s Correspondence Archives at the British Library and the Royal Archives at Windsor. Charting a range of relevant topics from the period—including the standoffs with Samuel Beckett and with leading American dramatists; the Lord Chamberlain’s determination to keep homosexuality off the stage and to rewrite censorship laws, which resulted in the prohibition of performances of Cat on a Hot Tin Roof and A View from the Bridge, among other plays; and the early struggles of Royal Court writers such as John Osborne—Nicholson focuses on the plays we know, those we have forgotten, and even those that have been forever silenced.


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The Censorship of British. This is the fourth and concluding volume in a set examining the Lord Chamberlain’s Office censorship of British theater. As one might expect, this final title offers the greatest drama because it chronicles the end of the Lord Chamberlain's Office rule of theater. Together, this volume and its three predecessors serve as an extremely important resource for a crucial period in theatrical and cultural history in Great Britain. A. P. Pennino Choice).

This volume is the third part of Steve Nicholson’s four-volume analysis of British theater censorship from 1900 until 1968, based on previously undocumented materials from the Lord Chamberlain’s Correspondence Archives at the British Library and the Royal Archives a. .

This volume is the third part of Steve Nicholson’s four-volume analysis of British theater censorship from 1900 until 1968, based on previously undocumented materials from the Lord Chamberlain’s Correspondence Archives at the British Library and the Royal Archives at Windsor.

Exeter University Press, 2011. Steve Nicholson knows better than most. 60, h. 282 pp. ISBN 9780859897501. This is the third in a four-volume collection that documents his long-term commitment to the task of assessing the voluminous records left behind by the administrators of the British theatre censorship system. This volume documents the Lord Chamberlain's gradual loss of control towards his final years as censor and provides detailed examination of the public scandals and private tussles over the theatrical representation of sexuality, religion and politics during the 1950s.

Censorship of British Drama, 1900-1968. This is the second part of Steve Nicholson's four-volume analysis of British theatre censorship from 1900 until 1968, based on previously undocumented material in the Lord Chamberlain's Correspondence Archives in the British Library and the Royal Archives at Windsor.

The publisher has not yet granted permission to display this abstract. Keywords: ISBN, Steve Nicholson, British Drama, Censorship of British, Exeter Press.

Volume 29, Issue 4. November 2013, p. 400. Steve Nicholson The Censorship of British Drama 1900–1968, Volume Three: the FiftiesExeter: University of Exeter Press, 2011. ISBN: 978-0-85989-750-1 doi:10.

To carry out this study, ten dramas were chosen In Brazil, theatre censorship was instituted in the 19th century with the foundation of the Conservatório Dramático Brasileiro.

To carry out this study, ten dramas were chosen. Five out of these ten dramas were not performed on any stage in Iran, but the remaining five dramas were performed on the stage. Then, the obtained taboos. In Brazil, theatre censorship was instituted in the 19th century with the foundation of the Conservatório Dramático Brasileiro. Until the 1960s, censorship of public entertainment was a responsibility of the states, was conducted through ostensive legislation and operated in the moral sphere as "guardian" of the society.

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