"Here in Paul Shambroom's remarkable photographs are the machines we have built at great expense to destroy millions of human lives... and the men and women whose professional duty it is to maintain them until we learn the deep lesson that the discovery of how to release nuclear energy revealed a natural limit to the scale of human conflict." -- from the Introduction by Richard Rhodes
Although the Cold War ended more than ten years ago, the nuclear dimensions of that conflict remain ever present. The United States alone maintains a nuclear force of over 10,000 warheads; the world's other nuclear powers may possess as many as 20,000 more. Further, the atomic aspirations of such states as Iraq and North Korea continue to spark international crises, while in the wake of September 11, the possibility that terrorists might obtain and use weapons of mass destruction has become frighteningly plausible. For most people, however, nuclear weapons -- whether viewed as a dangerous threat or an effective deterrent -- exist only in the abstract.
In Face to Face with the Bomb, photographer Paul Shambroom documents the components of America's nuclear arsenal, and through his series of striking images which depict the devices and their day-to-day maintenance, he the makes clear the magnitude of the nuclear reality we have created. Taken between 1992 and 2001 at military bases in the United States and the South Pacific, these photographs offer an unprecedented inside look at the missiles, warheads, bombers, submarines, and command centers that make up the far-flung nuclear infrastructure of the United States. Shambroom's full-color prints depict both historic, Cold War--era weaponry shortly before it was mothballed and new warhead designs and missile defense prototypes that may be deployed well into the twenty-first century.
Face to the Face with the Bomb also features an introductory essay by Pulitzer Prize--winning historian Richard Rhodes, who places Shambroom's photographs within the context of the arms race with the Soviet Union, and a prologue by Shambroom, in which he discusses his experiences visiting the country's top-secret nuclear installations. Visually arresting and chillingly matter-of-fact, this volume provides a lasting document of one of the most uncertain, dangerous periods in human history.
Albert Mobilio, Bookforum
Albert Mobilio, Bookforum. - Mary Ann Gwinn, Seattle Times-Post Intelligencer . Paul Shambroom admits that he is not likely to get more pictures like these after September 11, 2001, but military authorities were still willing to help with information for the notes on pages 111-116, which include long-range plans, such as "The B-2 is expected to remain in service until 2040.
Book Description "Here in Paul Shambroom's remarkable photographs are the machines we have built at great .
Book Description "Here in Paul Shambroom's remarkable photographs are the machines we have built at great expense to destroy millions of human lives. and the men and women whose professional duty it is to maintain them until we learn the deep lesson that the discovery of how to release nuclear energy revealed a natural limit to the scale of human conflict. from the Introduction by Richard Rhodes Although the Cold War ended more than ten years ago, the nuclear dimensions of that conflict remain ever present. The United States alone maintains a nuclear force of over 10,000.
Publisher's Description. His images are powerful reminders of this reality with which we continue to live
Publisher's Description. An important document of American in the nuclear age. Dominated by their striking formal qualities, these photographs reflect an aesthetic sensibility deeply responsive to the advent and infusion of new technologies in our daily surrounding. His images are powerful reminders of this reality with which we continue to live. -Elizabeth Armstrong, Orange County Museum of Art 'Paul Shambroom's Face to Face with the Bomb richly deserves the much abused adjective unique
Face to the Face with the Bomb also features an introductory essay by Pulitzer Prize-winning historian Richard Rhodes, who places Shambroom's photographs within the context of the arms race with the Soviet Union, and a prologue by Shambroom, in which he discusses hi. .
Visually arresting and chillingly matter-of-fact, this volume provides a lasting document of one of the most uncertain, dangerous periods in human history.
Start by marking Face to Face with the Bomb . Despite the end of the Cold War, nuclear disarmament remains one of the most contentious issues in international relations. Mr Curtis James rated it it was amazing Jan 02, 2016.
Start by marking Face to Face with the Bomb: Nuclear Reality After the Cold War as Want to Read: Want to Read savin. Potential instability in Russia and the former Soviet republics has heightened concerns about the control of nuclear stockpiles, and in the wake of September 11, the possibility that terrorists might obtain and use nuclear weapons has become frighteni Despite the end of the Cold War, nuclear disarmament remains one of the most contentious issues in international relations.
Face to the Face with the Bomb also features an introductory essay by Pulitzer Prize-winning historian Richard Rhodes, who places Shambroom's photographs within the context of the arms race with the Soviet Union, and a prologue by Shambroom, in which he discusses hi.
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Despite the end of the Cold War, nuclear disarmament remains one of the most contentious issues in international relations. Potential instability in Russia and the former Soviet republics has heightened concerns about the control of nuclear stockpiles, and in the wake of September 11, the possibility that terrorists might obtain and use nuclear weapons has become frighteningly real.
Face to face with the bomb:nuclear reality after the Cold War, p. 119. Johns Hopkins University Press, 2003.
This article relies largely or entirely on a single source. Find sources: "Paul Shambroom" – news · newspapers · books · scholar · JSTOR (November 2017). Paul Shambroom (born 1956) is an American photographer and graduate from the Minneapolis College of Art and Design whose work explores power in its various forms . Face to face with the bomb:nuclear reality after the Cold War, p.
Shambroom, Face to Face with the Bomb: Nuclear Reality after the Cold War (Baltimore: Johns Hopkins University Press, 2003). Neither to Criticize nor to Glorify: Paul Shambroom's Studied Neutrality. eckitt, 'Neither to Criticize nor to Glorify: Paul Shambroom's Studied Neutrality', in . estlund (e. Paul Shambroom: Picturing Power (Minneapolis: Weisman Art Museum, 2008, pp. 32-45.